artists

• Laurie Anderson
• Phyllis Bramson
• Brad Brown
• John Buck
• Tom Burckhardt
• Kathy Butterly
• Enrique Chagoya
- "Abenteurer der Kannibalen Bioethicists"
- "Aliens"
- "Double Trouble or Anthropology of the Clone"
- "Histoire Naturelle des Espécies: Illegal Alien's Manuscript"
- "Illegal Alien's Guide to Critical Theory"
- "Illegal Alien's Guide to the Concept of Relative Surplus Value"
- "La Portentosa Vida de la Muerte II"
- "La Portentosa Vida de la Muerte"
- "Libertad, Iqualdad, Fraternidad II"
- "Road Map"
- "The Ghost of Liberty"
- "The Misadventures of the Romantic Cannibals"
- "The Pastoral or Arcadian State, Illegal Alien's Guide to Greater America"
- "The Perception of Time II"
- "utopiancannibal.org"
• Bernard Cohen
• Roy De Forest
• Donna Dennis
• Rafael Ferrer
• Elliott Green
• Red Grooms
• Susan Hall
• Jane Hammond
• Don Ed Hardy
• Ana Maria Hernando
• Robert Hudson
• Yvonne Jacquette
• Luis Jiménez
• Roberto Juarez
• Susanne Kühn
• Robert Kushner
• Li Lin Lee
• Hung Liu
• Kara Maria
• Hiroki Morinoue
• Miho Morinoue
• John Newman
• Manuel Ocampo
• Janis Provisor
• Jeera Rattanangkoon
• Rex Ray
• Jim Ringley
• Peter Saul
• Italo Scanga
• Hollis Sigler
• Stacey Steers
• James Surls
• Barbara Takenaga
• Emmi Whitehorse
• William T. Wiley
• Betty Woodman
• Thomas Woodruff
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Enrique Chagoya : "Abenteurer der Kannibalen Bioethicists": 2001
Lithograph/woodcut/chine collé/collage : 7½ x 92" : Ed. 30 : Price on request

 



Detail



Detail



Enrique Chagoya’s codex “Abenteuer der Kannibalen Bioethicists” continues the series he began at Shark’s in 1998. Basing his codices on surviving pre-Columbian and other examples, Chagoya pays homage to his predecessors while at the same time cannibalizing and modifying the format. He uses the terms “reverse anthropology” and “cannibalism” as metaphors to describe how dominant cultures write history and cannibalize ideas, traditions, images and objects. Chagoya appropriates or cannibalizes images from various cultures and juxtaposes them in absurd and humorous ways. Images, texts and phrases are placed in new contexts that draw attention to and question their meanings. “Abenteuer der Kannibalen Bioethicists” is printed in nine colors from seven lithographic plates and one woodblock on Amate paper with chine collé and collage.

Although shown in three speararte views above, the codex is one long accordion folded piece.